SESHOLLOWATERBOYZ WALLPAPER

seshollowaterboyz

Download the new Commercial Appeal app for continued updates. Special guest opener and champion of the lo-fi Memphis underground, Tommy Wright III , christened the stage before ceding the spotlight to his most obvious stylistic offspring. Whatever brought eager listeners to the party, the preponderance of black-and-white garb illustrated a common thread among all interests and reflected a similar absence of color in the music. A kid from Toronto somehow became one of the most coveted artists in the U. The days of East Coast and West Coast rappers existing on opposite ideological and stylistic planes are over. The personal familiarity between the artists and crowd members effectively removed the wall between the two entities. Bob Mehr’s Music Beat Features.

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Experiencing a homecoming of sorts, Wulf, whose real name is Xavier Beard, and Chris Travis facilitated the chaos of their hometown crowd.

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Seshollowaterboyz – The Masquerade

You can view today’s paper sesho,lowaterboyz previous issues. Mobile Apps iPhone iPad Android. The days of East Coast and West Coast rappers existing on opposite ideological and stylistic planes are over. However, during a Tuesday night visit to the Hi-Tonesuper-collective Seshollowaterboyz comprised of the four leaders of TeamSesh, Hollow Squad, Water Boyz, and Healthy Boyz demonstrated many things, most prominently that their sound belongs to Memphis.

A revolving door of spectators entered and exited the stage setting freely, often blending in with the enormous entourage surrounding the group. July 02, 0. Download the new Commercial Appeal app for continued updates.

Whatever brought eager listeners to the party, the preponderance of black-and-white garb illustrated a common thread among all interests and reflected a similar absence of color in the music. Sedhollowaterboyz include skateboards, BMX, anime, and Selena Quintanilla, just as much as glocks, gold and girls. A kid from Toronto somehow became one of the most coveted artists in the U.

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The personal familiarity between the artists and crowd members effectively removed the wall between the two entities. Special guest opener and champion of the lo-fi Memphis underground, Tommy Wright IIIchristened the stage before ceding the spotlight to his most obvious stylistic offspring. Since leaving the Miami-based Klan, all four artists have continued the tradition of recontextualizing the lo-fi rumble of s Memphis underground rap.

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Punishing drum beats hit hard throughout each set, openers included, with little melody. Bob Mehr’s Music Beat Features. Instead, the group opted for eerie and ambient synth chords that lie underneath the constant rat-a-tat-tat.

The whole Memphis in here! The entire scene is about as punk as Southern-styled hip-hop gets.

Watching Wulf and crew command the rowdy Hi-Tone crowd, Wright bopped around to the music before getting into the thick of a seshollowaterbiyz of moshing kids.